MUSIC
MUSIC
Gene’s music—eclectic, ambitious, and hard to classify—is part of a life-long search to discover and express fundamental truths through the arts.
Best known for his opera Matter, Gene has also written a wide variety of music over the years, from classical instrumentals to quirky pop songs.
As a young man, Gene began with the kind of guitar-based folk songs common in the 1970s, pairing melody and lyrics.
Never a great instrumentalist, Gene soon discovered his true “axe”—the multi-track studio. He found that complex works could be created one simple track at a time—laying down a little guitar, some bass, backing vox, and so on. As the technology evolved, Gene’s vision of what was possible grew.
Albums of songs
Recording in various studios or with the latest home-studio technology, Gene released several albums in the medium of the day—cassette tapes, and later, CDs.
“Method in the Madness” was folk-rock based, with often melancholy, globally-conscious lyrics. “B-sides” and “4-Track Mind” introduced more complex chord changes and surrealistic imagery. Switching gears, Gene recorded a suite of pieces for solo piano. Gene’s experience leading tours through Europe yielded “Europe in 22 Minutes”—a musical journey from Amsterdam to Rome to Paris.
Gene’s style was becoming clearer: music that was largely acoustic, melody-based, with lyrics informed by poetry. Gene consciously turned away from the heavy drum-based industrial style.
Branching out— Matter
In the classical vein, Gene wrote a Sonata for Violin and Piano—a serious, complex 15-minute piece that was mastered, performed, and recorded by two talented musicians. Gene was commissioned to write incidental music for various avant-garde theatrical productions. Zig-zagging in another direction, many of his more whimsical songs were performed by the accomplished vocal group the “Cheeseweasels.” Gene’s next album, “Ballard Winter,” was considerably moodier.
All of these musical elements culminated in Gene’s ambitious opera, Matter. As a theatrical multi-media spectacle, it was a mix of music, theater, and the visual arts—involving acting, lighting, sets, costumes, poetry, story, and big themes. It told the story of a mysterious back-to-nature cult fighting to save their primeval way of life. The 2-hour opera unfolded in two acts—the first light, the second (spoiler alert) turning tragic. The music blended classical and more modern sounds, with dialog set to music. Most of all, Matter championed one of Gene’s life-long themes—living life as a journey of discovery.
After Matter, Gene produced less music and turned more to writing prose. It’s often asked whether Gene still writes music. As Gene himself said: “We’ll see.”
Every few weeks, you’ll find a new song from Gene’s catalog you can listen to and download free.
One week might be a folk song, the next a meditative solo piano piece or a Cheeseweasel deluxe. Most are written, produced, and performed by Gene. (Apologies to any uncredited musicians.)
ACOUSTIC WARNING: The audio quality is, unfortunately, pretty Lo-Fi. These songs are quite old. Many were never anything more than rough demos to start with, recorded quickly on the equipment of the day. Even the professionally-recorded masters often ended up on a fragile cassette tape stored in a musty basement. Many sound like dusty ‘78s. They’re faint remnants of another time.
But hey, they’re free. Enjoy.
Free Music— Listen and Download
This week’s selection: Romance in the Silent City
“Finding love is hard in your twenties,” wrote Gene. “And in your sixties.”
This moody, melancholy, but ultimately hopeful song is a deep cut from Gene’s first studio recording session, circa 1979. The song was a late addition to the set, and Gene was fortunate enough to have a band of talented musicians who could quickly bring the work’s odd chord changes and angular lyrics to life.
It’s Gene on piano, lead vocal, and tenor sax. He’s backed by Michael Clune (drums), Jeff Roberts (bass), Bill Jameson (guitar), and Dave Hall and Brian Steberl (backing vox).
“I’ve been asked to explain the song’s lyrics,” Gene once said. “I can’t.”