BOOKS
BOOKS
Michelangelo at Midlife
and Rick Steves books & TV
Travel, history, music, poetry, the arts, personal life events, humor, and the shared universe of Big Ideas… all find expression in Gene Openshaw’s work.
His most recent book, which combines them all, is…
MICHELANGELO AT MIDLIFE: CHASING THE TOMB OF JULIUS II
A traveler’s quest for Michelangelo’s most troubled masterpiece.
FROM FLORENCE TO PARIS TO ROME, a man crisscrosses Europe in search of Michelangelo’s most notorious work: the Tomb of Pope Julius II. Along the way, he teams up with an intriguing Italian woman who opens his eyes to the artist’s troubled inner life and the personal struggle they all share—an acute midlife crisis…
Michelangelo at Midlife is typical of Gene’s work: ambitious, operatic, and hard to classify. It’s a hybrid, weaving two stories together, one fictional, one nonfiction. “Michelangelo’s story wrapped in a 21st century novel,” as one reviewer put it. At your local bookstore, you may find it variously shelved under “Biography,” “Art,” “Travel Literature,” or just plain “Fiction.”
The core of the book is Michelangelo’s story—his 40-year struggle to complete what he hoped would be his magnum opus. Incredibly, this is the only non-scholarly book (that is, “readable”) about the much-talked-about but little-known Tomb of Julius II.
But that’s just the start. Gene himself described how the book evolved as he wrote it: “It began as a purely nonfiction account. But I wanted it to have a sense of ‘place,’ so I added a modern traveler following in Michelangelo’s actual footsteps. Next, that traveler became fictional, to add a dramatic layer. Then I realized the traveler—though highly fictionalized—was kind of like me, and, suddenly, whoa! this is my story!”
The book kept growing. An array of colorful graphics (by Dave Hoerlein) and elegant design (by Sandra Hundacker) transformed the book from a story of words to one also told visually. Taken together, all those elements aim for an emotional impact that’s greater than the sum of the parts. With its evocative travelogue, colorful images, and history detective story, Michelangelo at Midlife is a fast read for lovers of the arts with a romantic streak.
“A delightful combination of art history and light drama… told with intelligence… conveyed with impressive emotional poignancy… filled with humor and tinged with an ironic acknowledgement of the travails of life. This is an entertaining treat.” -- Kirkus Reviews
“Like a trip to Italy: edifying, informative, and unpredictable.” -- BookLife Reviews
Michelangelo at Midlife is available wherever you get your books—in print, e-book, or audiobook. Consider supporting your local brick-and-mortar bookstore (rather than Amazon) by ordering it directly from them.
RICK STEVES BOOKS
Gene and travel guru Rick Steves met in 7th grade and have been collaborating off and on ever since.
Together they’ve written numerous books and TV shows, with Gene specializing in making Europe’s history, art, and culture accessible to the traveler. Their guidebooks (to Paris, Rome, London, etc.) are some of the best-selling in the English language. The full-color art book “Europe’s Top 100 Masterpieces” is a breezy overview of Western art with full-color, full-page illustrations. “Europe 101: History and Art for the Traveler” is still going strong after four decades.
For PBS TV, Rick and Gene have co-authored a number of specials, such as “Fascism in Europe,” and the ambitious six-hour documentary covering the entire history of the “Art of Europe.” Gene has also produced dozens of audio tours, where Rick guides travelers through historic sites.
The adventures of Rick and Gene traveling across Asia are documented in Rick’s published journal, “On the Hippie Trail.” With Gene as the editor, the book was a New York Times Bestseller and a 2025 honoree by the Society of American Travel Writers Foundation.
MICHELANGELO NEWS (Mar 15-22)
A brooding Michelangelo, pen in hand, as captured by Raphael.
Though best known as a sculptor, painter, and architect, Michelangelo was also the author of some 300 poems.
In fact, in his later years, he thought of himself less as the sculptor and painter, and more the serious poet and thinker.
Michelangelo’s poetry covers a wide range of subjects, from humorous ditties to hi-falutin’ love poems in the tradition of Dante and Petrarch.
He was not afraid to tackle serious philosophical subjects—capital-letter Big Ideas like Art and Beauty, Time and Death. He constructs these poems meticulously, like an intellectual treatise. Many are a kind of “if-then” syllogism. Most follow strict rhyme-and-meter schemes, like sonnets and madrigals. Even the heartbreaking poem to his deceased father is rendered in a neat rhyme scheme of aba/bcb/cdc.
At times, Michelangelo’s wordplay could be so intellectually rigorous that it becomes dense, convoluted, and (frankly) a bit silly. For example: “Though long delay yields more grace and good fortune than desire usually gains from early mercy, mine, coming after many years, grieves and pains me, for joy in old age…” …uh, say what?
Perhaps his best writing is in his personal poems. He bared his inner thoughts in a way that was almost unprecedented for the time—his self-doubt, his anxious love, even thoughts of suicide. And his love poems to Vittoria Colonna and Tomasso Cavalieri could be movingly passionate.
One of his poems was even set to music by Lucrezia Borgia’s lutenist—a composer best known for killing his unfaithful wife… but that’s another story.